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A Few 'Language Miniatures'

No. 134

The Orange Juice Seat

Or, the role of context in making sense

A lot of what we say is really ambiguous, except that we often don't even notice it. But occasionally when we don't know the full context of what's being talked about, we're tripped up by not being able to decide what is meant.

Now and then you've probably heard a sentence that seems completely nonsensical, one where you can't think up any context that would give it sense. At least until you hear a few words of context, and then the sentence seems to suddenly jump - sometimes comically - into perfect sense. You may even wonder why that didn't occur to you. Take for example the phrase in the title orange-juice seat. That sounds rather like nonsense, agreed? Now add the information that someone is being asked to sit down at a big table at the one place where they'll find a glass of orange juice. Doesn't it suddenly make sense?

Now let's try whole sentences. Suppose someone says

Powell thinks bananas.

That's a rather puzzling thing to say, because however readily we may refer to someone as 'bananas', we don't normally 'think bananas' but rather we think ideas. But now suppose we take one little step farther, and imagine a question those three words are an answer to -

What did Bush have for breakfast?

Doesn't that same 'impossible' sentence now suddenly become perfectly ordinary?

Now a more complicated one. A linguistics textbook once used this sentence as an example of nonsense:

Syntax is sure a whipped-cream dog.

Do you wonder what contortions might be necessary to make even this weird sentence into an ordinary one? Let's try painting in a situation: A teacher of English grammar has a dog named 'Syntax'. One evening the family is having a party that features strawberry shortcake. After they're done, the bowl of whipped cream still has some in it, so they put it down on the floor for the dog. He laps it up so enthusiastically that one of the kids laughs and says "Syntax is sure a whipped-cream dog!" ”

Then there's what is probably the most famous 'senseless-sentence' of them all:

Colorless green ideas sleep furiously.

This is a sentence Noam Chomsky concocted back in 1957 to make an unambiguous distinction between grammatical correctness and sense correctness. Two adjectives modify a noun, and that phrase is the subject of a verb, which is modified by an adverb. Grammatically, an impeccable sentence. But that doesn't mean it makes sense. Something can't be 'colorless' and 'green' at the same time, an abstraction isn't normally thought of as being able to 'sleep', and usually we don't think of true 'sleep' as able to be 'furious'.

A few years ago someone by the name of C.M. Street made an ingenious attempt to induce even this 'impossible' sentence to make sense.

It can only be the thought of verdure to come that prompts us in the autumn to buy these dormant white lumps of vegetable matter covered by a brown papery skin, and to lovingly plant them and care for them. It is a marvel to me that under this cover they are laboring unseen at such a rate within to give us the sudden awesome beauty of flowering bulbs. While winter reigns the earth reposes, but these colorless green ideas sleep furiously.
Each of the five words of Chomsky's sentence is cleverly provided with sensible context:
colorless appears as white
green verdure
ideas thought
sleep dormant, reposes
furiously laboring
All of this is an example of what your mind is busily doing all the time in split seconds as you hear someone saying something. You're understanding in several layers at once, seemingly simultaneously. That's how important context is. You're so practiced at it that with a little effort, you can invent a context to construct some sense out of each of the above 'nonsense' sentences.

All essays Copyright © 1998-2004 by William Z. Shetter
Go to Language Miniatures at http://home.bluemarble.net/~langmin/index.html


hr Got a question? Send it to me -- kmdavis@erols.com and I'll answer it.

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